An Epic Tale of an Epic Tale

by

Anna Littler

(click on images to see them full size)

PART 2 – The Bickley shoot

At our latest big shoot in Bickley we had about 50 people involved during the course of the day, including c 25 extras and actors (aged 2 to c 87) including a number of ladies who were treated like royalty in the beautiful 1930s cars!

Due to some of the main actors only being available in the morning, we had to film a lot of the footage out of sequence and do lots of the cutaways in the afternoon. Scheduling and planning for all these clips was quite taxing and despite a huge amount of preparation, we still missed filming a number of shots. We have since had to return to get these cutaways, without which the finale would not have made sense!

Another problem with having to film the cutaways (or half a conversation) later in the day was the fact that the weather kept changing from overcast to bright sunshine to rain!

Continuity can be a big headache! People’s hairstyles can change throughout the day, or they forget to put their gloves on or which hand they had their handbag in! (Or, like me, they wear their 1930’s hat the wrong way round!).

On some days we’ve been good at doing continuity photos – getting quick snaps of actors, props and sets – by using a simple digital camera which stores the photos for easy reference later on. At other times we’ve failed to get the photo we needed and we’ve had to hope for the best! But this can make editing much harder! (So if you join me for any of our remaining little shoots (for ‘pick ups’) and no one is snapping away (other than the professional Photographer Simon), please ask where my digital camera is – please!! I cannot stress the importance of such photos – it’s one of the most useful lessons I’ve learned! N.B. If you’ve a day between shoots, you can print photos from the film footage.

Lots of Simon’s fab photos can now be seen on: www.facebook.com/blitzandbananas

Part 1 of the Blitz And Bananas story can be found HERE

Part 2 can be found HERE

Part 4 can be found HERE

Thanks again for everything!

DEREK ALLEN

The films that made the most impression on me would probably not have the same effect if I saw them to-day, as they are all from the Golden Age of Hollywood (1930 – 1940).

My parents took me to see THE JAZZ SINGER, the first full-length movie with synchronised sound, but I was too young to appreciate the significance, so my top ten come from the time that I was allowed to go to the  ‘pictures’ on my own.

I went to the ‘Splendid’  cinema in Bromley Road, Downham. It held about 2,000 people yet there were always long queus to get in.  Childrens tickets were three pence and if it was an  ‘A’  film we asked an adult (any adult) to take us in.  Once past the huge foyer with two pay kiosks, we were left to find our own seats.

Being on the edge of the Downham Council Estate during a real depression when many children suffered with malnutrition and inadequate clothing, they could not raise even three pence, so some boys would climb in through the lavatory window.  Looking back, I think that the attendants probably knew, but felt sorry for them. Otherwise they could have locked the windows!.

Now for the films (in no particular order):

1. Way Out West (Dir. James W. Horne 1937)

I always thought that Laurel & Hardy were the greatest. As soon as their theme music was heard, even before the film started, the audience were laughing.

2. King Kong (Dir. Meriem C. Cooper & Ernest B. Schoedsack 1933)

As a schoolboy I had never heard of special effects and I wondered how they had created such a large monster, taller than the Empire State Building.

3. Gone With The Wind (Dir. Victor Fleming 1939)

I was not concerned with any of the technical side of film making. I just enjoyed the story.

4. The Lady Vanishes (Dir. Alfred Hitchcock 1938)

This was a true mystery. I enjoyed the tension and the way that the story developed.

5. The Cat & The Canary (Dir. Elliott Nugent 1939)

A really scary film with some humour as well. There had to be with Bob Hope as the leading character.

6. Stagecoach (Dir. John Ford 1939)

An adventure film that was really absorbing. Olive and I saw it at a cinema showing old films whilst we were on honeymoon. It was so good that we both forgot that we were on honeymoon (and that takes a bit of doing!)

7. Mutiny on the Bounty (Dir. Frank Lloyd 1935)

An exciting story, not knowing how it would end when they were cast adrift in an open boat.

8. Everything Happens At Night (Dir. Irving Cummins 1939)

I just had a teenage crush on Sonja Henie, regardless of what sort of film it was – I could have watched her all night.

9. The Wizard of Oz (Dir. Victor Fleming 1939)

I was intrigued with the special effects and found all the characters interesting.

10. The Elephant Boy (Dir. Robert J. Flaherty & Zoltan Korda 1937)   

In the film Sabu was about my age, so I could imagine sharing all his adventures. I also found it interesting because I had been in the Cubs and we were given names from the ‘Jungle Book’ on which this film was based. Some of my very old friends still call me by my Jungle Book name. It was used by some friends in the Royal Marines and other friends in the R.A.F. Volunteer Reserve, so it stuck with me right through my life.

These reasons do not seem adequate, but I am remembering films that made an impression on me at the time and I just enjoyed them.

There were so many classic made during that period that I could easily reel off another ten just as good. And for our three pence we got a second feature film, a newsreel, Mickey Mouse or the Three Stooges and adverts for next week’s films. If we were rich and paid sixpence at the Lewisham Gaumont we would get an organ recital as well.

After leaving school at 14 I became more interested in the theatre, but that’s another story.

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!